Category: painting

  • Lock Down Diary…

    Lock Down Diary…

    I apologise in advance for this. It’s going to be a long and rambling post. This has kind of been a long and rambling time. Very odd….

    That first week of Lock Down I was woken very early by a Nightingale. It was about 4.30 or so; before the other birds were singing. It wasn’t like anything I’d heard before. Now I do realise that a Nightingale so far north is unusual and the first thing my Dad said when I told him was that it must have been a Blackbird or a Robin. But I hear those all the time and, beautifully though they sing, they were nothing like this. I heard my Nightingale several times more in the next few weeks. Always early. One morning I woke Hattie up so she could listen too. She is so used to be woken up through the night for blood tests, and to be force fed sugar tabs, but she was unusually chipper once she realised that she was being woken up for something nice.

    With the somewhat startling realisation that we were going to have to home school our children until the end of the summer term, the weeks stretched formidably ahead. How would we manage? How would we make weekends feel like weekends and holidays feel different to term time? How could I maintain something of my creative self and still make this time something special for them? Time is precious and I wasn’t going to waste this. I’m a bit ‘Polyanna’ by nature and I wanted them to look back on this as a magical time when we were all together, their parents were less distracted by work and we made the most of what we had.

    It was proper cold when we stopped!

    The first day of lock-down I took them all running early. It was cold! Not wet, but fairly bleak and I made them run up hills towards (not all the way to) Stoodley Pike. By day three the votes were for walking, not running, and we found a new path and discovered our new favourite wood, complete with stepping stones, climbing trees and a big flat rock perfectly suited to picnics and brew stops. They climbed and I sat, lovely early evening light breaking through almost naked trees, and I thought: if we can do just this every day, this will be enough. I want us to sit and listen. To identify the birds we can hear and the trees as they wake up for spring. And I’m selfish. I needed something for me too, so I had the idea of collecting trees.

    Hattie named it Simba’s rock…

    Initially I imagined that I would collect one on every walk, but our routes were often the same so a new one didn’t present itself every time we went out. And some trees that were remarkable in March, were hidden in May. And May trees budded and blossomed, or opened silver leaves in a canopy of darker greens.

    I had good intentions of keeping a diary of our daily adventures, but so often days were the same. Not in a dull way, but the walks were repeated. Instead, what I’d come away with was a list…

    That the birds and flowers have made a come back is something everyone has noticed. The beautiful weather has made for a stunning spring, with bluebells, wild garlic and yellow and orange poppies all out together. But we’ve really started noticing things for the first time. My kids just casually know ‘stuff’ about their world that they didn’t know in early March:

    • That what crunches under your feet in the woods are beech nut shells.
    • That Curlew calls sound sad.
    • That Skylarks sing while they hover above you.
    • That Woodpigeons sound like camping holidays.
    • That Green Woodpeckers laugh (though we’ve never spotted one).
    • How to tell the difference between a crow, a rook and a raven.
    • Mother Ducks are feckless parents.
    the day we almost came home with two abandoned ducklings in Robin’s straw hat

    My lists were as often from my solitary runs as from family walks. I can get further, and I can get out earlier when I run.

    When Covid 19 began to be talked about as something other than a far away problem, I was lucky enough to be on holiday with my family in Madeira. While I was there I was emailed by a customer about one of my prints. This one:

    Hebden Bridge – Tree of Life

    The lady told me how it reminded her of Persian miniatures and I began to look at Tree of Life paintings, and motifs on Persian rugs. Each is a little world – a shrine almost – in which all varieties of leaves, flowers, animals and birds, centre around one tree. In the evenings (UNO and Portuguese telly thoroughly exhausted) I doodled ideas: trees with Yorkshire animals, some framed within the spaces of bridges or the arches of viaducts.

    My scruffy notebooks (I am always clutching a notebook) are always full of ideas I have no time to develop. But on the day of the Nightingale I saw my opportunity and I painted myself into a corner.

    These are papers covered in inks, paint, loose pigment and salt. The loveliest and unexpected things happen as they dry. These big sheets I use to build frames and arches…

    I also save every tiny scrap of the painted papers. They’re like little gems! Waiting to be turned into a fox or a leaf.

    I’ve been taking photos or doing little drawings, or sometimes taking the painted sheets out on a walk. I’ve been working on several at once. I have no idea what I’m going to do with them all, I just know that I want there to be a whole big wall full! A celebration of lock-down in my valley…

    I’ve been painting these a little at a time, in between more serious and technical paintings for Toffee Town! They’ve been a little light relief and a chance to go small, and put all the set squares and T-squares away for a bit.

    I would also like to state that during lock down, there has also been: home schooling, gardening, squabbling, mess, baking, complaining, washing, cooking, grumpiness, missing family, missing friends, ridiculous hours spent on Zoom with cousins, running without children, family zoom quizzes… Generally a balance of good and bad. This is just meant to be a post about the good stuff.

  • Introducing Toffee Town….

    Introducing Toffee Town….

    UPDATE: The exhibition will now launch on Saturday 26th September.

    Happy to announce a new solo exhibition at The Yorkshire Gallery in The Piece Hall, Halifax.

    ‘TOFFEE TOWN’

    THE BEAUTIFUL BUILDINGS OF HALIFAX

    Saturday May 23rd – August 16th.

    I’m an Offcumden you know. I don’t count myself as a Southerner as Suffolk, where I was born and lived til I was 19, is really out on a limb and isn’t connected to anywhere. But Northerners would probably count me a Southerner… I came North to York for University in 1995 and our tutor (Bruce Windle. Lovely man) took us to Bankfield Museum in Halifax. It was the first time I’d ever been to Halifax and I remember being blown away by the incredible Victorian Industrial architecture. There’s nothing like it in Suffolk; nothing like it in the Yorkshire I was experiencing in York come to that. We must have driven over the fly-over with the North Bridge and Dean Clough beneath us, and then dropped down to Bankfield and Akroydon.

    Even since The Lost Houses exhibition at Bankfield I have even more of a fascination with these grand buildings, left over from a far more prosperous era. ‘Toffee Town’ was the nickname for Halifax because of the Macintosh factory and this exhibition is to be a celebration of Halifax’s beautiful buildings. I’ve just this morning completed this one of Akroydon – the model village built by Edward Akroyd. I think it’s every bit as lovely as Saltaire, but it’s not so well known.

    I have several more paintings started now and I’ll post updates as they progress. I just wanted to announce the date! Which means I really really must crack on (a new one of Shibden Hall is under way on my desk…)

  • Shibden Hall

    Shibden Hall

    I was thrilled last year when Shibden Hall commissioned a painting for their entrance hall. It’s rare for me to go there without the children, and therefore the pull of the boating lake or the playground. I went in August while they were staying with Granny down in Wiltshire.

    I played around with two compositions. There’s a lovely view from the orchard above – a birds eye view. Or the view from the lake below, looking up at the house…

    The Hall requested the second one. The hall is like a treasure trove of beautiful details! There is a window in the main hall with stained glass fragments salvaged from another local house. I love the creatures; I’d love to know more about the symbolism. They remind me of the pagan creatures often found on Misericords in churches; they were an obsession of mine when I was a student.

    Pattern is everywhere in the hall…

    The tiles at the bottom of the picture gave me a place for my treasure.

    So here it is, work in progress…

    Special requests to be included were: The Lister Lion. The Lister coat of arms. The stained glass creatures. And lastly, the dove and the crow to represent Ann Walker and Anne Lister.

    I have yet to proof it for colour for prints, but when i do these should be available as hand finished prints at the hall. Then it’s framing and hanging! I’ll post a photo once it’s up.

  • It’s starting to feel a lot like….CHRISTMAS!

    It’s starting to feel a lot like….CHRISTMAS!

    It can’t have escaped your notice (and if it has – well done) that it’s the countdown to Christmas. Thank you to everyone who’s bought from my online shop, or through one of the galleries that sell my work. Hebden Bridge has been wonderfully buzzy this weekend, and last, with Open Studios and street markets. I’ve managed to avoid Amazon almost entirely (almost! But I needed printer ink and shoe dye, which I couldn’t find anywhere else) instead using my Amazon shopping cart app to list all the books I wanted, and then buy them from the Salts Mill book shop and my local  The Bookcase.

    I wish I could show you the presents I purchased in Hawksbys and at Craft in the Pen, but I’d spoil surprises if I did. I did manage to find a small, vintage bowler hat for my 9 year old son in Oh La La! in Haworth. He’s going through a dressing up phase and is rarely seen at breakfast without a tweed waistcoat and silk tie. I’m nurturing his eccentricity. He shows no interest in screens and I want it to last.

    I have many potential presents available on my website at the moment. However, these are the last few days for print orders, so don’t leave it too late!

    The last day for print orders is going to be Wednesday 11th December, unless it’s something I have finished and ready in the studio. I’m happy to try and help locate what you want elsewhere as I know what the galleries hold in stock.

    Small prints (plenty of big ones too):

     

     

    2020 Calendars:

    Folding Books:

    And of course, Lanterns!

    We will be posting from the studio right up until Friday December 20th. The Post Office have given this as the last day for Christmas delivery.

    I’m very excited, and more than a little nervous, as next week I’m going to have eye surgery! I’ve worn glasses since I was about 18 months old; my eye sight is almost comically bad. But for the first time (all being well) I will be able to see when I open my eyes in the morning.

    Glasses were so bad when I was small. I always wanted the pink or the blue ones (my lenses were so thick that the options were only this style in black, brown, pink or blue), but my Mum insisted on brown or black “to match your nice dark hair”.

    It will take a few days before I can see well enough to stitch, which is why I won’t be able to fulfill print orders after Thursday.

     

  • Hell, Hull and Halifax

    Hell, Hull and Halifax

    I realise that I’ve not posted anything here since just before Open Studios back in July. Everything seems to get a bit chaotic over the summer and my family had some good adventures over the holidays. For the first time, I was a little sad to get back into the studio routine. The twins are eight now, and my eldest is 12. They’re good company! I hope it lasts.

    Anyway, while they were away for a few days with my lovely Mum in the summer, I took my camera off to Halifax to start planning a new exhibition for next year. Last week I sat and started properly drawing things out, and now I can’t wait to start painting. Halifax has some spectacular architecture. Very grand Victorian stuff built at the height of the industrial revoultion. But much older buildings too, like The Piece Hall and Shibden Hall.

    I met someone last year that told me Halifax was known at one time as ‘Toffee Town’ because of the Mackintosh factory and I thought that this would be the perfect title for an exhibition to be held next year at The Yorkshire Gallery in The Piece Hall. Actually, I’d intially thought ‘Hell, Hull and Halifax…’, but Paul from the gallery thought this wouldn’t have the right appeal! I only meant it in that people are often so surprised, especially when they go to The Piece Hall, at how beautiful the town is.

    Crossley Heath School – my daughter aspired to go there because it looked like Hogwarts, Halifax Town Hall – it’s just beautiful, and Shibden Hall – it’s always been beautiful but suddenly the wider world knows about Anne Lister and visitors are coming from all over the world to see it!

    Akroydon – Halifax’s model village (so lovely, so many allotments!), The Piece Hall and the Borough Market building (from above so I can get Streets in the Sky in there for those that know…), and Dean Clough and North Bridge.

    I love drawing buildings and planning these out has been great fun. I think I need about two more ideas, if anyone has any suggestions?

  • OPEN STUDIOS STARTS TOMORROW July 5th 2019 at 11am!

    OPEN STUDIOS STARTS TOMORROW July 5th 2019 at 11am!

    So we’re in the process of hanging things and clearing out. My wonderful Mum has come to stay and is busy wrapping up all the little prints:

    Mum: She said a VERY rude word when I took her photo.

    And yesterday, just in time, my 2020 Calendars arrived!

    There are lots of prints. Including prints (and little proofs) of the new work currently hanging at Chantry House Gallery. There are also some small originals, including this trio of Northumberland waves paintings,

    and the little folding book I’ve made using the images: I had a lovely time making these yesterday. It’s very satisfying putting the little gold leaf square on the front. Little things please little minds!

    There are almost 100 artists taking part in the trail this year. See the Hebden Bridge Open Studios website for a map and a list of all the other artists

    I am right in the centre of town, at venue 61. My studio, and most of the others, will be open Friday 5th – Sunday 7th July; 11am til 5pm.

    My studio is on the main rd that runs through town. Pass the Co-op on your left (heading towards Todmorden), then The Turkish Barbers, Hat Therapy and Snug Gallery on your right. Look out for a little alley on your right hand side signed Stoney Lane. The back gate is up there on your left, before the Cuckoo Steps. It will be well signed!

     

     

  • ‘CATCHING THE LIGHT’ at Chantry House Gallery – May 18th – July 14th 2019

    ‘CATCHING THE LIGHT’ at Chantry House Gallery – May 18th – July 14th 2019

    We had a lovely opening day on Saturday. Thank you so much to everyone that came and to Emma and John of Chantry House Gallery.

    The Fish Pier – Whitby

    Framed Size: 147.5 x 87.5cm

    SOLD

    Autumn at Bolton Abbey

    Framed Size: 147.5 x 87.5cm

    £5600

    Springflower (Flamborough Head Cove)

    Framed Size:106 x 87cm

    SOLD

    Minster Gardens

    Framed Size:87 x 106cm

    SOLD

    Birdwatching

    Framed Size:87 x 106cm

    £4200

    Garden Square

    Framed Size:85 x 85 cm

    SOLD

    Newby Hall

    Framed Size: 147.5 x 82.5cm (aprox)

    £5400

    The Vine House

    Framed size 57 x 67cm

    £3200

    Seedlings

    Framed size 57 x 67cm

    £3200

    Peacock Moon

    Framed size 57 x 67cm

    SOLD

    Low Tide

    Framed size 57 x 67cm

    SOLD

    Ebb Tide

    Framed size 57 x 67cm

    SOLD

    Dunstanburgh Castle

    Framed size 57 x 67cm

    £3200

    Lindisfarne Castle

    Framed size 57 x 67cm

    £3200

    Bamburgh Castle

    Framed size 54 x 68cm

    £3200

    Dunes (Bamburgh Castle)

    Framed size 67 x 86cm

    SOLD

    Sandsend to Whitby

    Framed size 67 x 58cm

    SOLD

    Orchard – Print Tray

    Framed size 88 x 48cm

    SOLD

    For any queries please contact Chantry House Gallery

    info@chantryhousegallery.co.uk
    01423 771 011

    or me!

    gallery@katelycett.co.uk

  • Catching the Light – Exhibition opens on Saturday May 18th!

    Catching the Light – Exhibition opens on Saturday May 18th!

    Everything is being delivered to Chantry House Gallery in Ripley tomorrow, ready for the exhibition opening at 10am on Saturday.

    This is the last thing I finished: It was on my ‘would love to’ list, rather than my ‘must do’ list, so I saved it til last. I love doing these old printer’s trays. This one came from the US – it’s an American tray lay out. The spaces were large enough to think about a whole, small picture and the theme was trees. I do love to paint trees…

    I start off with large sheets of stretched watercolour paper which I treat with lots of inks and paints. Lots of happy accidents. Then I cut choice pieces to fit the spaces. Most of the time something will emerge from the painted papers and I’ll work on what’s been suggested by a happy accident. In this way, they are much freer than other paintings. I don’t have a clear idea how anything will look when I’ve finished.

    I would like one wall for all my sea pictures! I’ve tried to catch that first, deep breath you take standing on a Northumbrian Beach. I want the wall to be a big breath of fresh air.

    I tried to get the breath of sea air in this new, big piece of Whitby too…

    and, one more… This is Flamborough Head Cove:

    Please come along and say hello on Saturday if you can!

    Chantry House Gallery will be open from 10am – 5pm. And I think there will be tea and cake…

    The full list of paintings and prints is now on their website.

     

  • ‘Catching the Light’

    ‘Catching the Light’

    Opening on May 18th at 10am, my new exhibition at Chantry House Gallery in Ripley.

    This collection of new paintings seem to track my family holidays and days out this last year! I painted these little greennhouses first, from The Lost Gardens of Heligan in Cornwall. We were there in the summer holidays.

    I had an idea that the title for the exhibition should be ‘Gardens’. But then I went to Northumberland in Autumn Half term and got distracted by castles and beaches, and that incredible Northumbrian light.

    And then, while Daddy was away I took the children for a treat in York and traded time spent in Harry Potter shops for time allowed to sketch on the city walls. I was a student in York and used to have English lectures in Grays Court. I would look out on the tourists walking the city walls. I love York. When I began university I was recovering from a year of being poorly and York was the cure. Coming from a small Suffolk town York seemed vast, but utterly magical. And I loved the course so much I failed badly in any acts of student rebellion. Instead I was allowed to get a key cut for the textile studios so I could work late at night. I spent three happy years discovering inks and wax pots, and being allowed to paint beautiful things.

    This one is based on a memory of going back to spend the day with a friend after graduation. We walked to St Paul’s Square, snuck into the private comunal garden and picked up autumn leaves.

    The exhibition will open at 10am. Emma, the owner of the gallery, is someone I met studying art in York. We connected again a few years ago and I’ve been exhibiting at the gallery ever since. I know she shares my love of the city.

  • Print Trays for Jenny

    Print Trays for Jenny

    I don’t tend to do many commissions these days, and I tend to politely decline when people ask. It’s not that I don’t enjoy them, I’ve just too many ideas of my own for my little head to process most of the time. But this one was a bit special…

    I’ve always love printer’s trays. When I was little, my Mum had an amazing shop in Eye (Suffolk) called ‘Talents’. It sold crafts and pictures, and one half was full of second hand treasures. She called it a junk shop at the time, but now it would be classed as Brocante, or Shabby Chic. Whatever it was, it was an Aladdin’s Cave of wonderful things. My sister and I were gifted a printers tray each from a job lot, in which we stowed a lifetimes collection of treasures: Flint arrow heads, fossils, shells, gem stones, skeleton leaves, broken china pieces… Many years on, I found an especially nice one with brass fixings in an antique shop (Mum sold them for £5. Prices have increased since then!). I thought it would be a lovely way to organise my busy head full of pictures, so I filled it with tiny studies of trees. By the time Jenny saw it at Heart Gallery it was sold, but she begged me to do one for her as her late husband had been a type setter. It’s only taken 5 years! But these are what I created:

    Jenny gave me the trays. Particularly lovely little ones from Covent Garden Market. I started filling the spaces with treated papers, and one or two pieces of marbled book end paper. I decided that type and typographic ornament should be the theme, given who it was being made for. I love old letters…

    There was lots of chopping and changing with letters that worked, and letters that didn’t. Every letter appears once. Some go in more than once because they’re especially nice to draw, or because they are significant to Jenny:

    Almost finished. Just a couple of letters and a Ginko leaf to add…

    A beautiful piece of framing from Abacus! Box framed; I think they look like Icons!

    Jenny was keen to keep the lovely handle on one of the trays, so they have lots of room to breath:

    And today I got some beautiful flowers, so I know that she is pleased.

    Thank you Jenny for trusting me with this. I loved making them.